Thursday, 9 June 2011

YouTube launches exclusive online channel YouTube Box Office

9 June, 2011


Renowned video sharing site YouTube has unveiled an exclusive online channel for blockbuster films. By Eugene Desiree

This new online channel will air 1 blockbuster film every month beginning with Yash Raj Film’s blockbuster hit Band Baaja Baaraat.

It will also feature other films from the video streaming site’s movie list which contains more than 1500 titles inclusive of regional films.

The YouTube Box Office can be accessed by all users in India but for users in other countries it will be IP blocked. Intel has joined hands with YouTube as its sponsor.

Gautam Anand, YouTube Japan-APAC director content partnerships stated that they are planning to create a target for users which will enable their content partners to get additional viewers for their best content.

This will also be a new platform for marketers to utilize this opportunity and thereby hold the YouTube community.

Fans Of NBC's ‘The Voice’ Can Now Vote For Their Favorite Artists Via iTunes

BY BILL GORMAN – JUNE 7, 2011


via press release:

FANS OF NBC’S ‘The Voice’ CAN NOW VOTE FOR THEIR FAVORITE ARTISTS VIA ITUNES

NBC AND UNIVERSAL RECORDS OFFER UNPRECEDENTED VOTING OPPORTUNITY BEGINNING WITH TONIGHT’S (JUNE 7) LIVE SHOW

Fans Can Also Connect in Real Time with the Artists Via Social Media During the Live Shows as Series Continues to Push the Boundaries Between Broadcast and Online

UNIVERSAL CITY, Calif. – June 7, 2011 – In a first for a music competition series, NBC and Universal Republic Records will offer fans of NBC’s “The Voice” (Tuesdays, 9-11 p.m. ET) the ability to vote for their favorite artists by downloading the studio versions of the songs that they perform on the live show each week via the iTunes Store (www.itunes.com).

Voting begins after tonight’s (Tuesday, June 7) live show and can be made via iTunes downloads ($1.29 each) of the artists current solo single, toll-free phone calls, the NBC Live app and online at NBC.com. Only votes made during the designated voting period will be tallied.

Additionally, “The Voice” continues to push the boundaries between broadcast and online by bringing social media conversations to the on-air show. Bridging the gap between on-air and online will be V-Correspondent Alison Haislip (G4′s “Attack of the Show!”), who will make regular appearances during the live broadcasts to engage fans and connect them to artists and coaches from the V-Room via Facebook, Twitter, NBC Live and NBC.com.

Starting with the live shows, fans who use #TheVoice or tweet to the show, coaches or artists’ official handles may see their tweets appear in the lower third of the screen during V-Room portions of the live show.

The announcements were made by Paul Telegdy, Executive Vice President, Alternative Programming, NBC and Universal Media Studios.

“This new voting opportunity reflects the reality of music lovers who vote everyday for their favorite artists by downloading and purchasing their music,” said Telegdy. “Additionally, we are blown away by the overwhelming response from viewers via Facebook, Twitter and other social media. Our audience is totally engaged with our artists and coaches — so we want to do everything we can to make this a part of the conversation on the air. The fans make the artists into stars, and it will be a completely new experience for them to see their favorites answer their questions on air.”

Haislip On How To Vote
Haislip will be responding and interacting with viewers in real time from the V-Room, which will have screens monitoring Twitter, NBC Live and NBC.com feeds. Before and after each artist performs, Haislip and the artists will monitor these screens and their devices to get fan feedback and to engage with the viewers. The show will check in with the V-Room throughout the broadcast, but the online interaction will be continuous.

The Voice,” featuring musician coaches Christina Aguilera, Cee Lo Green, Adam Levine and Blake Shelton, is the 2010-11 season’s #1 new series in adults 18-49 and ranks behind only “American Idol” among all entertainment series on ABC, CBS, NBC, Fox and CW. To date (May 30), “The Voice” is averaging a 5.4 rating, 14 share in adults 18-49 and 12.0 million viewers overall.

The Voice” is an innovative vocal competition series modeled after Holland’s top-rated vocal talent discovery show, “The Voice of Holland,” which has already become the country’s most successful new TV talent contest, with audience ratings which far exceed local versions of “The X Factor”, “Idol”, “Popstar” and “Holland’s Got Talent”. The series is hosted by Carson Daly and features the musician coaches working through the various phases of the competition with only the most talented vocalists. The show’s second season will air mid-season Mondays, 8-10 p.m. (ET).

The Voice” is a presentation of Mark Burnett’s One Three Inc., Talpa Content USA, Inc. and Warner Horizon Television. The series is created by John de Mol, who executive-produces along with Burnett, Audrey Morrissey and Stijn Bakkers. Universal Republic Records, a division of Universal Music Group (UMG), the world’s leading music company, is the U.S. label of recording and artist services for “The Voice.” UMG and Talpa also work together in providing artist services to maximize the potential of the franchise and the finalists internationally.

Wednesday, 8 June 2011

The Voice News: Finale, Coaches To Sing Queen, Futuristic Stage!

Posted by Cristina Isabel on June 7th, 2011
NBC’s The Voice do really mean business as they continue to earn viewers’ ratings. After winning the most-coveted post-Super Bowl slot in 2012, NBC announced that it will add an extra results show on June 22 and will air the finale on June 29. Both episodes will last an hour and air live.



The show currently airs on Tuesdays from 9 to 11 p.m. Tonight will be the first live competiton among the chosen top 16. With this NBC will unveil the show’s new futuristic live stage that’s even bigger and more intense for the live-performances.

Coaches Christina Aguilera, Cee Lo Green, Adam Levine and Blake Shelton will open the show by signing a medley of Queen’s “Bohemian Rhapsody,” “We Will Rock You” and “We Are the Champions.”

And for the first time ever for any singing competition, fans will have the ability to vote for their favorite artists by downloading ($1.29 each) the studio versions of the songs that they perform on the live show each week via the iTunes Store (www.itunes.com). Voting is also allowed via toll-free phone calls, the NBC Live app and online at NBC.com. Only votes made during the designated voting period will be tallied.

Additionally, “The Voice” will task V-Correspondent Alison Haislip (G4′s “Attack of the Show!”), to engage fans and connect them to artists and coaches from the V-Room via Facebook, Twitter, NBC Live and NBC.com during the live broadcasts. Moreover, fans who use #TheVoice or tweet to the show, coaches or artists’ official handles may see their tweets appear in the lower third of the screen during V-Room portions of the live show.

Paul Telegdy, Executive Vice President, Alternative Programming, NBC and Universal Media Studios issued this statement, “This new voting opportunity reflects the reality of music lovers who vote everyday for their favorite artists by downloading and purchasing their music. Additionally, we are blown away by the overwhelming response from viewers via Facebook, Twitter and other social media. Our audience is totally engaged with our artists and coaches — so we want to do everything we can to make this a part of the conversation on the air. The fans make the artists into stars, and it will be a completely new experience for them to see their favorites answer their questions on air.”

The Voice: a kinder, gentler talent show that's sending the BBC and ITV to war

by Maggie Brown and Joanna WaltersThe Observer, Sunday 5 June 2011
With Cheryl Cole and George Michael as possible judges, the British version of the US hit show The Voice has started a contest between the BBC and ITV


The judges on the US edition of The Voice - Blake Shelton, Adam Levine, Christina Aguilera and Cee Lo Green - with its executive producer, Mark Burnett. Photograph: Alberto E. Rodriguez/Getty Images

The BBC and ITV are locked in a bidding war for a new Saturday-night talent show being marketed as the "world's hottest new TV music property".

The Voice, already a hit in the US, offers a twist on the standard talent show by supposedly adopting a kindlier and less image-obsessed approach to its performers.

Its potential arrival on British TV screens, say some observers, could not be more timely: from Cheryl Cole's dramatic firing by The X Factor USAto allegations that this year's Britain's Got Talent had been "fixed" by Simon Cowell's production company, the talent show landscape has become convulsed with spats and rumours of skulduggery.

The Voice, with "blind" auditions in which contestants are rated on their singing alone and judges who dole out more constructive criticism than one-liners, is touted as a soothing alternative to the world of Cowell and his shows. And if that alternative happens to hire Cole as a judge, luring her away from her former mentor, so much the better.

The prospect of Cole signing up is a huge attraction for the BBC, where Danny Cohen, controller of BBC1, has taken personal command of negotiations with the UK production company handling the deal, Shed Media. He sees the show as the answer to a gap in his schedule's armoury.

His ambitions, however, could be thwarted by an 11th-hour move last week from ITV's director of television, Peter Fincham: on no account does he want to lose Cole to his biggest rival. Nor, of course, does he want to pass on what could be the next talent show that the British take to their hearts. And in case the next series of X Factor – without Cowell as a judge – does not perform as well as usual, Fincham would dearly like a backup.

Warning signs have already been detected in Britain's Got Talent, which has performed erratically this year. Last week the programme became engulfed in a row over 12-year-old finalist Ronan Parke, whom an anonymous blogger claimed had been spotted two years ago by Cowell's production company Syco. The claims have been denied by Syco and the boy's mother.

Compared with this, The Voice may seem a safe bet. The latest idea of John de Mol, the Dutch media tycoon who made his fortune through the reality show Big Brother, it began in Holland and was an instant hit in the US on the NBC network. On its debut in April, its 12 million viewers took it past Glee and Dancing with the Stars in the ratings.

Its star coaching panel of Christina Aguilera, Cee Lo Green, Adam Levine – lead singer of Maroon 5 – and country music star Blake Shelton has been credited with pulling in viewers. Along with Cole, the singer George Michael has been mooted as a potential judge for the British version.

Not everyone, however, is convinced by the new show. Channel 4 says it quickly decided against bidding for The Voice "because it's derivative, a rip-off", while viewers in the US appeared to cool after the show's debut, with ratings sagging in the so-called "battle" round, where singers engage in one-to-one duels.

As for the promise of a fresh approach to finding and nurturing talent, many have expressed scepticism. Critics in the US have dubbed the "blind" auditions – in which the judges turn towards the audience so they are not swayed by performance or appearance – a gimmick. The majority of contestants they have to choose from, point out critics, are already suspiciously attractive.

A seasoned expert producer in the UK said The Voice's claim to be different because of its coaching and development was spurious. "All contestants in talent shows are coached furiously behind the scenes," the producer said.

None of this is likely to dampen the enthusiasm of the BBC. Cohen, who oversaw Big Brother when he was at C4, recently briefed journalists on his pressing need to find fresh Saturday evening entertainment.

The BBC's controller of entertainment, Mark Linsey, has dropped a heavy hint that So You Think You Can Dance will be cancelled after a lacklustre series this spring. This means a British version of The Voicewould slot in neatly on BBC1 when Strictly Come Dancing finishes before Christmas.

However, any deal is still some way off, caution insiders. The BBC could be hampered because it cannot run premium phone line votes, or offer instant downloaded songs or product placement by advertisers. It would also not be able to offer Cole the kind of million-pound-plus deal that ITV could provide.

"This is not a money move for her, this is a career move," insist BBC sources, who hope Cole will be swayed by the chance to widen her appeal and relaunch herself. They also believe her record label, Universal Music, favours a BBC show for her.

The Voice News: Special One Hour Episode To Air Post Superbowl 2012!

Posted by Cristina Isabel on June 5th, 2011




“The Voice,” NBC’s new singing competition which stars Christina Aguilera, Blake Shelton, Cee Lo Green, and Adam Levine as coaches, has scored the coveted post-Super Bowl spot in 2012. This show has nowhere to go but UP UP UP in ratings!!!

NBC’s Bob Greenblatt said, “There is no better showcase on television than to follow the Super Bowl, and we believe “The Voice’ is deserving of such high-profile exposure. The attention-grabbing blind audition phase of The Voice has mass appeal and will fittingly team up with the biggest sporting event of the year.”

“The Voice” hosted by Carson Daly, debuted on April 26 and has been a ratings hit since then. Starting next week, the show will have their singing competition live after the coaches had chosen four contestants each. Due to consistent high viewership, the show was picked up last month for a second season.

Fox hosted the Super Bowl this year and gave the coveted spot to its breakout hit “Glee,” which became the top scripted telecast in three years. The Voice is expected to accomplish the same or even better.

One advice to NBC execs though. Don’t let Christina sing the national anthem again next year. She might mess up the lyrics again. Remember the lyrics fumble last year?

Arc To Animate 3D TV For Platinum and Endemol

 by Etan Vlessing


Touchstone Pictures

Having animated Gnomeo & Juliet for Miramax Films, Toronto animation maker Arc Production is to produce Matt Hatter Chronicles, a 3D TV series from Platinum Films and Canadian partner Dream Mill to be distributed internationally by Endemol Worldwide.

TORONTO -- Toronto cartoon factory Arc Productions is to animate Matt Hatter Chronicles, a 3D TV series from Platinum Films and Dream Mill being distributed by Endemol Worldwide.

Toronto-based Arc Productions, formerly Starz Animation, snagged the job after completing the animation on the feature film Gnomeo & Juliet for Miramax Films and Rocket Pictures.

British-based Platinum has pacted with Toronto indie producer Dream Hill on the series for Nickelodeon UK and Teletoon, Canada’s cable animation channel.

Matt Hatter Chronicles portrays a young boy, Matt, who stumbles on the Hatter family secret of being defenders of a gateway to a different dimension, the Multiverse.

Sharon Osbourne opens up about the reality of 'America's Got Talent'

June 7th, 2011 5:30 pm ET
Carla Hay



Sharon Osbourne first made it big in showbiz as a top music manager in the music industry, most notably with Ozzy Osbourne (whom she married in 1982) as her most famous client. But in the 21st century, she has reinvented herself as a TV star, particularly on reality TV. First, there was the Emmy-winning series "The Osbournes" (in which she starred with Ozzy, their kids Jack and Kelly from 2002 to 2005), and then she was a judge on "The X Factor" U.K. from 2004 to 2007.

She has been a judge on "America’s Got Talent" since the show’s second season in 2007. And in 2010, she became a co-host of the appropriately named daytime chat show "The Talk." Osbourne took time out of her hectic schedule to do recently do an interview with journalists via a telephone conference call. During the interview, she candidly revealed how she is handling such a busy career with balancing a home life; which "America’s Got Talent" contestant has inspired her the most so far; and how being a cancer survivor changed her life.

Piers Morgan said in an interview recently that he felt that you were a much harder judge this season than in some of the past years. Do you agree with that? And do you think that might be because of the fact that you’ve seen so many different styles of acts before in the past?

Yes. I think probably I am definitely harder than I’ve been in previous years. And I’m actually comfortable in that position that I’m in right now of being a little more judgmental and not so tolerant and really making it about the talent and not about somebody’s life story.

Are you stricter with musical acts, based on your music background? And out of all the bands that your husband, Ozzy Osbourne, has toured with, who would you say is the most talented?

When it comes to music, I guess I am a lot stricter. I do require that they have to be at a certain level to be taken seriously. And of all the bands that have opened for my husband, my favorite and the one I’m most proud of is Metallica.

Given so much attention in 2010 surrounding "America’s Got Talent" Season 5 winner Michael Grimm and "America’s Got Talent" Season 5 runner-up Jackie Evancho, what type of impact do you think they had on Season 6?

A lot because, you know, you strive to get better and better. And their level of professionalism was very, very high. So you don’t want to go down from that level. You want to go above that level. So yes, it sets the bar very high.

What is the hardest thing about being a judge on "America’s Got Talent"?

Well there is more that goes along with being a judge because everybody’s got a dream and you don’t want to destroy somebody’s dream. You don’t want to humiliate them publicly. But then, at the same time too, you don’t want to give somebody false hope. But you don’t want to destroy somebody either. And dreams keep a lot of people going. And you try not to destroy people at that point.

Between your work with "America’s Got Talent" and "The Talk" and the music industry and writing, how do you keep everything so balanced?

Well, I don’t. I mess up on a lot of things. You think that you can handle it all. And you can’t. Certain things fall through. And I’m going to have to review my next year because I definitely packed it too tight this year. You can’t do it all at the same level. Something has to suffer.

How do you look so amazing? Do you have any special diet or secrets on that?

Oh my God, no. God, I wish I did. [I’m] 25 pounds overweight. I don’t work out. I had a great surgeon. And I suppose the face has lasted pretty [well]. That’s it. But I don’t have any secrets at all.

What else is there that you would like to accomplish or pursue?

I think to be a better person. I think I’m in work in progress. But I try to be a better person. As far as my personal goals in life, I’ve reached them all. I never wanted to be the head of a huge organization. I never wanted to be number one at everything. But I’ve had amazing life experiences, amazing opportunities. I’ve been blessed personally. But I strive to be a better person.

There’s a invasion of British judges on TV talent contests with you, Nigel Lythgoe, Simon Cowell, Piers Morgan and Les Goodman. What is your next conquest? And were you satisfied with Martin Lawrence Ballard’s work on your apartment?

There is a British invasion here. I think it happens every decade. But I just think that Americans just love English accents. That’s all it is. And I think that America, for English people, has always been the ultimate goal to any entertainer is to make it in America.

Many come over and try and make it. And many go home again. But I’m blessed that I’m in the lot that has made some sort of dent here. And I love this country. I don’t ever want to go back to live in England. My home is here. I love the country.

And as far as Martin Lawrence Ballard, the interior designer, he’s quite fabulous. And especially as a person, he’s a very, very good friend of mine.

With so many talent shows on TV, what type of impact do you think they’re having on young people, in terms of hope and opportunity?

I was talking about it this morning because I listened to this speech from the [2011] MTV [Movie Awards] … by Reese Witherspoon. When she accepted her award, she said something which is so true: "You can be a success without making a sex tape or without being in a reality show." It’s really about talent. And it’s about knowing your craft and learning your craft and determination.

And I admire her so much. And when she gave her speech, I was like, "Right on!" Because, you know what? It’s all about talent.

And I think that a lot of people might make it through reality shows in the short term. You get there very quickly. If you’re successful in a reality show, you get that quickly. But ultimately, you have a short career. It doesn’t last long. You have your five minutes, as Andy Warhol would say.

If you had to live with either Piers Morgan, Howie Mandel or Nick Cannon, who would you pick and why?

That’s a hard question. It really is a hard question. Nick is a great catch but I think Mariah [Carey, his wife] would beat the shit out of me. So that wouldn’t work.
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And, Piers is funny, funny, funny and [has a] dry sense of humor. But his wife’s pregnant right now. So I wouldn’t want to upset her by moving in. And Howie, he wouldn’t want to touch me so that wouldn’t be fun. So I’d probably stick to my husband.

Do you have any ideas for any new reality shows? Or do you plan on starring in any more?

No. It was great to be the first one. It was great to be the one. And you could never go back. You know, I was there at the beginning of it all and made a mark. And that’s enough for me.

What do you think about working with Howie Mandel?

Well, I know Howie because he’s my neighbor. And he’s just the funniest, naughtiest guy that I’ve met in years. And it just made me so happy when it was announced he was doing the show. We literally live next door to each other.

How does judging on "America’s Got Talent" compare to the many other TV shows you’ve done? You’ve been on things like "The Celebrity Apprentice," "The Talk," "The X Factor." They’re all very different shows. What’s the difference for you?

The difference is and the thing that I love about "America’s Got Talent" is that it’s not just singing. The element of surprise is still there for me because you never know what somebody is going to do, the next act when they’re coming on to audition. And that’s what I love. You just don’t get one singer after another because I think it can be a bit monotonous …

You know, how many times can you hear another rendition of "Hallelujah" or "Hero"? It’s refreshing in the fact that you can hear a little girl that sings like an angel with an unbelievable operatic voice, and then you can have the best drag queen in the world — all on the same show. And it just shakes it up a bit. And that’s what makes us different from every other talent show.

You can see somebody on a bike jumping across makeshift bridges on the stage. And then you’ll see somebody flying on a trapeze. So you’re never bored with it because there’s always something different. The next act is totally different genre than the one you’ve seen before.

Can you compare the level of talent you’re seeing in the auditions in Season 6 of "America’s Got Talent" versus past seasons past?

Well, I think for our show, each season gets better and better. And of course I’m going to say the show is better this year than ever because I’m on it. I’m not going to put down the show I’m on. But truthfully, it really is packed with an unbelievable array of talent in all different genres of art.

It’s amazing. And I’m so proud to be a part of the show. Last year, I think the show was spectacular. And this year it’s just as good.

Which act or contestant inspired you the most out of all six seasons?

We had a lady opera singer who had survived cancer and chemotherapy. And she had her dream of wanting to sing. Barbara [Padilla, from Season 4 in 2009], her name is. And she did it … And I just thought that she was a great inspiration for everyone that’s got a dream.

Having raised three children of yourself, do you see yourself as the mother hen of the show?

I suppose so because I am the oldest [judge on the show]. So I think it’s something that comes with age. So I will gladly take on that title. When the younger contestants are on, it takes so much courage to get up there and perform anyway, let alone when you’ve got really young kids doing it.

And I always think, "Oh my God, if that was my kid out there, how would I want them treated by a judge?" So I always think of them as being my kids. And so you have to be very, very careful when it comes to kids.

Would you ever do a show like "The Real Housewives of Beverly Hills"?

Oh God, you’ll never see me on [that show] because I never have been a housewife, ever. So I have always worked. From the age of 15, I have always worked. And I’ve never been a woman that spends her day deciding, "Am I going to go for a facial or a pedicure?" And that is the amount of your day. So that’s not me.

How did being a cancer survivor change your life?

Yes. It did change my life because it stopped me from being so selfish in thinking that the business that I work in is the most important thing in the world because it is not. And in the big picture, it’s just a little grain of sand.

And when you work with amazing people that dedicate their lives to saving others, it makes you realize that, we’re very unimportant when there are doctors and nurses that just dedicate their whole lives to helping other people. So it makes you feel very small.

Continue reading on Examiner.com Sharon Osbourne opens up about the reality of ’America’s Got Talent’ - National Celebrity Q&A | Examiner.com http://www.examiner.com/celebrity-q-a-in-national/sharon-osbourne-opens-up-about-the-reality-of-america-s-got-talent#ixzz1OiRwoUn9